Some of the best music movements start in small rooms, local scenes, and communities built by passion. As Mono No Moto has proven, they’ve grown the underground scene in Bandung, Indonesia into a cultural movement that brings independent artists across borders, one show at a time.

Founded by multidisciplinary artist Putt April, he touts that the group is more than just a music collective. It’s an actual movement built on collaboration, community, and giving independent artists room to grow. Putt’s music lives in that same space: alternative R&B and indie sounds that feel like memories you forgot you had. With soft melodies and raw lyricism, his tracks invite listeners into something intimate and reflective, where everything feels a little closer than it seems. Originally from East Indonesia and now based in Bandung, he continues to shape Mono No Moto with that same quiet, emotional sensibility while building bridges for emerging artists across Asia.

The movement recently wrapped a regional run across Thailand, Hong Kong, and Indonesia, adding to previous stops in Tokyo and parts of China. Each city becomes part of Mono No Moto’s growing network, with every show opening new conversations between artists, audiences, and scenes. And with Manila on the radar, it feels like another natural meeting point for that energy.

Mono No Moto is set to stage its first-ever show in the Philippines at The Tiny Bar QC on April 25, 2026, bringing together Putt April alongside Bhanu Marais and Diniyah

Bhanu Marais brings an introspective blend of indie, folk, and pop – creating songs that feel personal, warm, and emotionally honest; a softness that lingers long after the track ends.

Diniyah meanwhile carries a quieter intensity, weaving themes of devotion and performance into a sound that feels restrained yet deeply expressive.

Their upcoming show marks a major milestone not just for them, but for Mono No Moto’s bigger mission: creating real opportunities for emerging artists and keeping underground culture moving across borders.

Tickets are still available via Kitsch Production’s socials, so don’t miss the chance to experience not just the music, but the culture of Bandung has to offer.

Words by: EJ Jusayan

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